07
03

Deep Focus: Enriching the Aspen Experience

An array of micro-essays by accomplished musicologists, curated to enhance and enrich your historical and aesthetic engagement with the musical programming offered at Aspen’s summer seasons. 

Gabriela Lena Frank: From Ivory Tower to Redwood Country

GLF_1
Deborah Hayes, Professor Emerita of Musicology, University of Colorado Boulder

Gabriela Lena Frank writes music for a wide range of audiences, from seasoned concertgoers to neophytes, in concert halls, community centers, hospitals, schools, prisons, and even less traditional venues. Now she is engaged in an extraordinary educational project.

(continue reading)

Illuminations of the Art Songs of Margaret Allison Bonds (1913-1972)

Bonds_Photo
Alethea N. Kilgore, Associate Professor of Vocal Studies at Florida A & M University

Dr. Alethea Kilgore brings us a deep dive into Songs of the Seasons, a soon-to-be-published song cycle by Margaret Allison Bonds. Dr. Kilgore’s song-by-song analysis highlights the newfound attention Bonds enjoys from both performers and historians.

(continue reading)

Florence B. Price: A Biographical Vignette

Portrait_of_Florence_Price%2C_%28photograph%29_by_G._Nelidoff%2C_University_of_Arkansas_Libraries_
Dr. Samantha Ege, Lord Crewe Junior Research Fellow in Music at Lincoln College, University of Oxford

Dr. Samantha Ege provides an orientation to an American masters of compositional craft with a resurgent historical profile: Florence Beatrice Price. 

(continue reading)

Fiddling “In the Barn” with Charles Ives

Rockwell_Ives
Dr. Jacob A. Cohen, Visiting Assistant Professor in Musicology, Oberlin Conservatory

Charles Ives loved a good, old-fashioned, rural barn dance. At least, he thought he did. Ives readily admits that his musical representations of the barn dance—as heard in pieces like “Washington’s...

(continue reading)

Serious Frivolity: Juggling the Profound and the Lighthearted in Beethoven’s Third and Fifth Cello Sonatas

Judith_Leyster_-_Cello_player_small
Kevin McBrien, PhD Candidate in Musicology, University of California, Santa Barbara

Musicologist Kevin McBrien takes a sideways look at Ludwig van Beethoven’s Third and Fifth Cello Sonatas, suggesting that they contain comic moments as well as deeply felt emotions, and that the two are not as mutually exclusive as we might think. 

(continue reading)
09